introduction1

On April 29, 2004, CBS television broadcast the images of the Abu Ghraib prison atrocities. The depictions of torture and sexual humiliation of Iraqi prisoners completely eviscerated any possible claim to the moral high ground by the so-called "liberators" of Iraq.

Then, only 12 days later, at the height of the Abu Ghraib furor, a major anomaly occurred in the time-space construct...

the world learned that "al-qaeda linked terrorists" had decapitated amerikan Nick Berg and posted the video to the Muntada al-Ansar website.

[cut to CNN or Fox News...commercial break...buy our stuff...grab chips and soda...back to the couch and on with the news...look at what them barbaric savages did]

Talk about 'Wag the Dog' timing!. One could almost wonder if these "al-qaeda linked terrorists" aren't running the George Bush "Wars without End" PR machine.

...suddenly, the amerikan mind wrapped itself around the savage killing of Nick Berg...and what had been done at Abu Ghraib just didn't seem all that bad anymore.

...except to all of those who began to notice the bullshit and bunko that surrounded Nick Berg and his untimely demise.

color analysis

introduction2
Numerous websites have already documented the various problems and anomalies surrounding the official story of Nick Berg's decapitation. As such, this article will forego a rehashing of these issues in order to address one aspect of the evidence which lends itself to a more objective sort of investigation, viz., photographic color analysis.

Following a RGB color comparison between four still images taken from the Nick Berg video and four pictures released from Abu Ghraib, the average RGB values of 8000 total pixels were found to be almost indistinguishable from one another.

method
Four JPG format stills were obtained from the Nick Berg decapitation video. Likewise, four JPG format photos of the Abu Ghraib atrocities were downloaded from an online news site. Each photo was then opened in Photoshop 6.0 for RGB sampling. Each photo was edited to create four red horizontal lines to create five levels for purposes of color sampling, as indicated below:

**Note: All pictures have been reduced in size for purposes of website presentation


Berg1
Berg 2

Berg3
Berg4

Utilizing the Color Sampler Tool in Photoshop, with sampling size set for a 5x5 pixel average (25 pixels), eight color samples were obtained across each of the five levels of the areas of exposed wall color. Thus, the average pixel color for each picture was based on a total of 1000 pixels. Some attention was given to avoiding the most obvious areas of shadow in photo Berg4. Otherwise, color samples were taken in such a manner as to create a fairly uniform grid pattern. The same process was repeated to sample the Abu Ghraib pictures shown below:

AbuG1
AbuG2

 

AbuG3
AbuG4

Again, pixel sampling was limited to exposed areas of wall color, avoiding the more obvious areas of shadowing, and sampled in fairly uniform grid patterns.

All pixel sampling results were recorded in Microsoft Excel. Following completion of pixel sampling, the results were summed in order to obtain average RGB values across both sets of pictures.

results & analysis
By comparing the average RGB color values of 4000 pixel samples from Abu Ghraib pictures and the average RGB color values of 4000 pixels from the Nick Berg decapitation, it is found that the average RGB color values between each set of pictures is virtually indistinguishable. The average RGB values of the wall color at Abu Ghraib are: R=187, G=163 B=92. Average wall color at the site of Nick Berg's decapitation is: R=184, G=160, B=105.

The difference between these results appears to be little more than inherent issues of lighting and shadow.

problems

The primary problem with this analysis clearly pertains to the integrity of the images examined as related to format conversions and the inherent differences between digital video and photographic color schemes. Since these matters are outside of the author's expertise, they must be explored by those with greater knowledge of these issues. Nonetheless, the guiding principle in this examination is sound: we exist in a time where the human element is largely removed from the conversion process. As such, is believed that the resulting images that were examined, being the product of computerized conversions, are very close to the values of the originally encoded images.

The secondary issue pertaining to this examination is obviously that of lighting and shadows. The best approach this author could think of was to avoid, as much as possible, the most obvious areas of shadowing.

conclusion

Although this analysis does not provide the final convincing argument that Nick Berg was decapitated at Abu Ghraib, combined with all of the other evidence brought forth in this regard, it certainly provides a strong objective basis for argument along these lines. Likewise, this examination shines a light on an investigative approach that has, thus far, been largely ignored.